“Each time he took a walk, he felt as though he were leaving himself behind, and by giving himself up to the movement of the streets, by reducing himself to a seeing eye, he was able to escape the obligation to think, and this, more than anything else, brought him a measure of peace, a salutary emptiness within...By wandering aimlessly, all places became equal and it no longer mattered where he was. On his best walks he was able to feel that he was nowhere. And this, finally, was all he ever asked of things: to be nowhere.”
Paul Auster - City of Glass
TRANSCENDING MATTER | 180x150cm
DROWNING IN DREAMS | 130x60cm
THE VOID OF LUCIDITY | 110x90cm
In my latest series of stripe paintings, I delve into the realm of visual expression with a reverence for the profound simplicity of the stripe—a fundamental element that has traversed artistic landscapes throughout history.
MULHOLLAND DRIVE | 30x22cm
MULHOLLAND DRIVE II | 30x22cm
BENGAL NIGHTS | 125x90cm
Through improvisational techniques which I’ve developed, it became possible to perform creative experiments at the intersection of the analog and digital realms, blurring the boundaries between traditional painting and contemporary technology. Using low-tech methods which expand the physical interaction with the materials and canvas, help lead towards a more synthetic and highly entropic state.
In essence, my stripe paintings serve as portals to the liminal spaces where time, perception, and emotion converge, inviting us to confront the infinite within ourselves.
BOUNDLESS UNEASE | 125x75cm
DENIZENS OF THE DARK | 100x95cm
THE PULSE OF ORDINARY LIFE | 55x60cm
TRANSCENDING MATTER | 180x150cm
DROWNING IN DREAMS | 130x60cm
THE VOID OF LUCIDITY | 110x90cm
MULHOLLAND DRIVE | 30x22cm
MULHOLLAND DRIVE II | 30x22cm
BENGAL NIGHTS | 125x90cm
BOUNDLESS UNEASE | 125x75cm
DENIZENS OF THE DARK | 100x95cm
THE PULSE OF ORDINARY LIFE | 55x60cm
